Chapter 116: The Woolswood UnderCollege Subcommittee on Tales

 It was considered the apex of the Woolswood Federation's unmatched strength: it commonly lies in their ability to master both electrical and neurological impulses into one cohesive source of brute force, which then enables them to imprint upon a fluid matter a certain form of animated character that abruptly becomes tangible through its reliable suspension within a certain space identified, willingly, in an appropriate time.

This method of special skill within the Cyborg community is known to be the Caricature, a power within which is regulated by the Woolswood UnderCollege Subcommittee on Tales, an attached instrumentality of the Parallel Committee on the Speed of Light; the skill allows the mechanical parts of the physiological functions of the Cyborgs to conjure a certain number of animated frames that could then produce the Caricature out of thin air.

Within this sphere of useful talent is the controversy on the "inanimate" objects that are also attracted to the electromagnetic field that is unwillingly generated within the standard operations of a Cyborg's physical machinery. These inanimate objects were identified to be close coordinates with the way "creatures" are then created by a power so close in character within the Woolswood Subcommittee.

It was, then, too late for them to realize before they were able to confirm that the Caricature's side effects immediately upon conjuring its mighty penetration of space and time was taken in vain; it was the consequential emission of inanimate "matter" that became known to be the treacherous villains who were capable of harming any individual who will get in their way of self-preservation.

For some, they simply call this the "Sovereign," an invisible being who had the ability of controlling the mind and other impulses that can then be occupied by its own motivated action towards the inevitable end of a subconscious mind, to show some characteristics that as dark as any poisonous fluid can be. A horrifying byproduct of the Physical Clock as opposed to the Time Wasps generated by travel through the Time Machine.

The fluid from where the Caricatures are suspended carries with them the same principles of the complete function of the Sovereign; yet, it was a complete opposition in so far as to try to separate these invisible and inanimate objects from the dynamics of the animated counterpart because it was already affected by a certain curse that is notoriously identified to be the Dangerous Rhetoric.

And with regards to these Rhetoric, there was nothing concrete that is known about them, except that the power of the Words spoken in literary intent depends primarily in the strength of the Rhetoric that carries it. The several Deeds of Rhetoric is an invisible vessel in which the magical words of literature can act in a unique kinetics that can actually change the world.

But to change the world also demands the complete transformation of the heart, almost like a process of a cordial mastery and devotion to an intricate metamorphosis, usually done in order to reach the depths of the supposed meaning contained in the semantics of truthful answers. In this regard, the Tales occupy most of what the heart is capable of by granting it an extraordinary method of complete transfiguration.

Almost too magical it seems, these things are suddenly beyond comprehension. The Tales will have no meaning unless the words themselves carry the Rhetoric of universal application and its appointed meaning. Within the relevant philosophical constructs surrounding its approach, most of the words that are written were spent in trying to narrate the Tales that gives it a preconceived parallel meaning, a common diplomacy offered by the Woolswood Federation regarding their mission in the Parallelogram Office.

The Caricature themselves is a form of useful Rhetoric; however, the danger gradually approached these vulnerable Tales, and the Woolswood UnderCollege Subcommittee on Tales later on was truly poisoned, deceived and almost destroyed, indeed; almost equal to any treatment related to an autocephalous means.

After this gruesome discovery, the conjuring of any form of Caricature has been banned, for all the right reasons cited thereto. The complicated process on how the Sovereign gathers strength by all means needed to be halted at once.

Nevertheless, it was a vague, but colorful journey. The circumstances that followed after the descriptive nature of the Caricature's disappearance were similar to a pawn that reaches the very end of the chessboard to become a powerful and glorious Queen.

It was all about overcoming the adversities in the end; it is the celebration and the triumph of the Tales within the notion of Semantics that truly matters, without any reservations as to the veracity of its absolute claims.

Victory, yet a danger hidden still. No greed shall prosper.

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This Chapter is made possible by Nike.